Final Project
The directions for this final project seem simple (pick a past design style and argue why it is better than today’s), but the complexity and sheer breadth of graphic design…
Module 10 Field Journal
Meggs says Zembla was 100% original, I need to see more example of Vince Frost’s work So as usual, it is hard to forget about the last 20 years of…
Module 9 Field Journal
Assignment: Module 9 includes much of recent graphic design, names, countries and styles most of you have seen. Tell us what interests you of recent past. Seeing how designers respond…
Module 8 Field Journal
Assignment: This module continues more of the same material as Module 7, European influences and contemporary design. Tell me what or who impresses you most. Herb Lubalin is the one…
Module 7 Field Journal
What in the world is Leo Lionni doing in the Module 7 lecture? He is a children’s’ book illustrator! I was very surprised to see Leo Lionni’s name as an…
Module 6 Field Journal
John Heartfield’s work – why don’t we see work like this today? I was quite taken with the pictures of his work in the readings, and did some of my…
Module 5 Field Journal
New figure to research: Hector Guimard Meggs didn’t mention Guimard in any detail, but he was the best known French Art Nouveau architect, He was famous enough at the time…
Module 4 Field Notes
Why did local governments pass no-posting ordinances, one of the factors leading to the demise of poster houses? Posters have an important history in protest and politics that will come…
GID 001 Module 3 Field Journal
Meggs Chapter 5 Reading Notes Why did it take a scribes and illuminators 4 – 5 months to make a 200 page book? That’s roughly 20 weeks, 10 pages/week, which…
GID 001 Module 2 Field Journal
This covers Chapters 1-4 from Meggs’ book. Chapter One – Early Writing Reading over the sections about prehistoric man’s cave drawings and the early writing of the Sumerians, I was…